Last night I watched the Australian film Leviticus on Amazon Prime.
What struck me wasn't just the film itself.
It was how easily I was able to watch it.
Not in a cinema.
Not months after its theatrical release.
But from the comfort of my own home on one of the world's largest streaming platforms.
As I watched, it made me realise just how dramatically the film industry has changed.
When I was growing up, Australian films followed a very different path.
A movie would first appear in cinemas. If it was successful, it might eventually be released on VHS or DVD. Later still, it could find its way onto pay television or free-to-air TV.
For many Australian productions, international audiences simply weren't guaranteed. Distribution was expensive, complicated and often reserved for only the biggest commercial successes.
Many outstanding Australian films never reached the global audience they deserved.
Today, that has changed completely.
Streaming platforms have transformed the way films reach viewers.
An Australian production no longer has to wait years for overseas distribution or hope a foreign distributor takes interest.
Instead, a film can become available to audiences around the world almost overnight.
Someone in Sydney, London, New York or Tokyo can all discover the same Australian film on the same streaming platform.
That's a remarkable shift for our film industry.
Australia has never lacked talented filmmakers.
We've produced world-class actors, directors, writers and production crews for decades.
Films like Talk to Me proved that Australian productions can stand confidently alongside major international releases. Watching Leviticus, produced by the same filmmaking team, reinforced that thought for me.
The quality has always been here.
The difference today is that the world can discover it much more easily.
Technology hasn't changed the talent.
It's changed the opportunity.
Perhaps the biggest beneficiaries are independent filmmakers.
In the past, producing a great film was only part of the challenge. Getting people to actually see it was often the hardest part.
Today, streaming platforms provide opportunities that simply didn't exist a generation ago.
An independent Australian film can appear alongside some of Hollywood's biggest productions, reaching audiences that would once have been impossible to access.
That's an extraordinary opportunity for local storytellers.
There will always be something special about going to the cinema.
The big screen, the immersive sound and the shared experience of watching a film with an audience can never be completely replicated at home.
But streaming has introduced something equally valuable.
It has removed many of the barriers that once limited where Australian films could be seen.
For viewers, it means greater choice.
For filmmakers, it means greater opportunity.
For Australian cinema, it means the chance to reach a truly global audience.
Watching Leviticus reminded me just how far the Australian film industry has come.
Not because the stories have changed.
Not because the filmmakers have become more talented.
But because technology has finally given those stories the audience they deserve.
Twenty years ago, an Australian film might have been seen by thousands.
Today, it can be discovered by millions around the world with the click of a button.
That's not just a change in how we watch films.
It's a change in how Australian stories are shared with the world.